Singapore’s foremost beats and visual culture collective Syndicate, noted for its collaborations with LA’s Brainfeeder crew, has been working the ground for quite some time, hosting a two-year long run at Home Club and embarking soon on a new series The Syndicate Subsessions at the Substation. For a group of such (yet growing) stature, it’s surprising how little has been put out on record. Apart from a five track self-titled EP released at the end of 2010, the collective has been focusing its energies on its live shows, collaborations, and putting mixes up online.
In that sense, Syndicate’s output is hard to collate meaningfully, and perhaps it isn’t meant to be, since it’s more of the experience than the product that matters here. Yet it can be quite fun putting things together, as I have been trying for Max Lane, one of the collective’s members. Recordings under his name have been scanty and may be traced largely to his self-released debut EP The MIM Project (2009) and some contributions scattered across various compilations; but there’s such a cohesive vision in all his works, that haunting exploration of his cultural past channeled through the dual lenses of nostalgia and futurism as most fully realised in “Wohub”, his opening track for The Syndicate EP.
However, it’s most fascinating chancing upon works-in-progress, as I found in his contribution last year to the Urban Waves beats compilation. Titled “Maghrib”, the track seems like fleeting vignette or lost soundtrack from a film never made, a prayer uttered but left hanging, perhaps intentionally and adding to its mystical appeal. It could go anywhere from here, and some things are best left that way: we can probably extend that sentiment to Syndicate itself, which seems to keep growing precisely because of its commitment to ongoing experimentation that keeps (us) looking forward. – Dan.
The first Syndicate Subsessions takes place on 24 March (Saturday) 8pm at the Substation, 45 Armenian Street, Singapore, featuring Gema and Muon, with visuals by Brandon Tay and Rafi Dean. Check here for more details.
What a blast 2010 has been, especially with the sheer number of concerts we’ve had this year. Here’s some of our favorite moments.
7 Feb: XX @ Esplanade Concert Hall
Though the XX was opening for Florence and the Machine, their short set at the start of the gig was my highlight of the night. I still remember standing quite near the front, having every bass and beat shake my body to the core, and feeling the goosebumps induced by relishing and experiencing firsthand the band’s understated cool. – Dan.
16 Mar: Dinosaur Jr. @ Esplanade Theatre
My colleague captured it best when she described this gig, part of the Mosaic Music Festival 2010 program, as an unplanned reunion party where you catch up with all your old buddies from school … and everyone is wearing the same stupid outfits from back then! Nostalgia aside, the grizzled veterans of the reunited Dinosaur Jr. played a loose and appropriately loud set that featured their signature brand of melodic discordance. – Keith.
11 Apr: B Quartet @ Esplanade Recital Studio
These Singaporeans boys are musicians who deliver a hundred percent in a recorded album, and go the distance when they play live. I remember being enthralled by Bani Haykal flitting in and out, between worlds as he sang his beautiful poetry or played the Xaphoon. The rest of the band thundered along like it was following lightning, and for those of us who were in the audience, we were swept up in the storm of one of Singapore’s finest bands, and secretly wanting to be as good as them. – Brian.
27 Jul: Broken Social Scene @ Esplanade Concert Hall
Three to four guitars on stage, horn players come out, synthesizers going out of their mind, and is that a horn section coming out? How do they do it? How does a band have so many members and instruments on the same stage and yet, sound like they were each in the center of the universe? It remains a mystery, and is a beautiful reminder that music has no rules, no time to go unheard and it’s a hella fun to be playing with your friends. – Brian.
7 Aug: Belle & Sebastian @ Esplanade Concert Hall
I’d loved to have caught Belle & Sebastian about more than ten years ago during their Sinister tour, but I’d settle for this anytime, especially when they played that song which made me fall in love over and over with that album. Yes, “Judy and the Dream of Horses” came late into the set, but that’s where it belongs, that captivating surprise near the end that keeps you longing for more. – Dan.
17 Sep: Typewriter @ Home
What heart, soul and infectious energy Singaporean band Typewriter exuded throughout this pulsating set. Their debut album Indian Head Massage had been a long time in the waiting, so this launch had an emotionally charged and liberating dynamic that probably won’t be reproduced again, with the band soaking in every glorious moment. – Dan.
29 Sep: Sun Kil Moon @ Chamber at the Arts House
Attending Mark Kozelek’s intimate solo performance at the old parliament building in Singapore was akin to being caught in a convulsion of the music’s strange serene beauty. Mark played most of the new songs from the recent Admiral Fell Promises album, as well as reworking a few of the more memorable of the older Sun Kil Moon tunes (“Glenn Tipton” and “Heron Blue” were particularly lovely) – but the standout for me, and no doubt for other longtime Red House Painters fan, is the roiling rendition of “Void”. – Keith.
8 Oct Keeping It Peel @ POW
This was one of my favourite gigs because it’s slightly personal. Y’see, I play bass in Shelves, who closed the night at this John Peel memorial gig. It was also our debut. I remember the encouragement of our friends and peers, and the energy that went into rehearsal, performing in a makeshift band pit, playing hard, loud, and sometimes too fast. I remember my fellow band members, the jittery excitement, the nervous beers before (and after), and overall, I remember why I still do what I do. – Brian.
mp3: Shelves – One Live Baby
(Heh, we realized later that this was actually in 2009, but who’s keeping score aye?)
11 Nov: The Flaming Lips @ Marina Bay Sands
It was like part two of a dream come true to finally attend a Lips gig (part one being fulfilled at the Mercury Rev one some years back), and what a show this turned out to be. It wasn’t as if we didn’t expect confetti cannons or Wayne-in-giant-balloon sightings, but actually being there and sharing in the euphoria of the moment was quite an unbelievable experience. Nothing that night was too weird to be celebrated, except perhaps the most baffling omission of anything at all from The Soft Bulletin. – Dan.
11 Dec: The Observatory @ National Museum of Singapore
There are perhaps few better choices in the world other than The Observatory to compose an original score and provide the live musical accompaniment to a recent screening of A Page of Madness, Teinosuke Kinugasa’s haunting 1928 silent film. The controlled and yet improvisational nature of The Observatory’s 1½ hour-long performance created a disturbing ambience for the fractured narrative set in an insane asylum, the subtle instrumentation and electronics navigating the contours of an enigmatic film masterpiece whose visual poetry was well ahead of its time. – Keith.
sharon van etten:
Lately, I have been obsessed with this band from Montreal called Automelodi. I work at a record label (Ba Da Bing Records) and my boss, Ben, is constantly getting new records in. He knows I have a soft spot for 80s/90s post punk/early electro, vaguely alternative music... and so one day, he put on a Wierd Records compilation. It was a vinyl set of like 4 pieces or something. There were so many good bands on there... however, Automelodi stuck out in my mind as being an authentic, genuine, NON-cheesy version of the 80s I wish I was a part of. The song in particular that gets me going in the morning is called "Schéma Corporel".
mp3: automelodi - schéma corporel
bani haykal from b-quartet:
often enough, it’s the early morning rush which gets me excited about shutting my eyes. and by morning, we’re looking at the 4 a.m. time frame where all you hear is yourself in a foggy blur, thinking if sleep is really all that important because the early few are storming off for work. in all honesty, there is no ipod nor a single earplugging devicetron which i’d attend to. often enough, it’s someone else’s sonic leak i’m getting addressed by. but, i’m listening to Steely Dan’s “Babylon Sisters”. in my head, at least. sanity ‘from the point of no return’, personally. it’s a breath of fresh air. despite its age. everything is beautiful then.
mp3: steely dan - babylon sisters
naomi yang from galaxie 500:
The perfect song to start the day is “A Tonga Da Mironga Do Kabuleté” – the live recording from 1971 by Brazilian artists Vinícius + Bethania + Toquinho. It is like a beautiful sunrise – although I think that the lyrics are actually some sort of political commentary disguised as a Candomble/Afro-Brazilian curse – but whatever! And then you should just leave the CD on, and listen to the rest of the album while you have your coffee. And you will have a great day.
mp3: vinícius + bethania + toquinho – a tonga da mironga do kabuletê (live in buenos aires, 1971)
jamie stewart from xiu xiu:
i have a nico button on my guitar strap and her excess eyeliner has been burning the dirge "janitor of lunacy" into my waking ears as of late, at least 20 times in the last week. until yesterday we have been on tour in scandinavia, russia, poland, austria, germany and czech. these grey locations held hands with her harmonium perfectly.
mp3: nico - janitor of lunacy
justin ringle from horse feathers:
i have been obsessively listening and waking up to this tune by gillian welch called "annabelle". it's a song about a sharecropper in alabama and it is so sad, beautiful and timeless that I can't help but listen more than once in a row. the harmonies in the chorus make my hairs stand up... beautiful song.
mp3: gillian welch - annabelle
tracyanne campbell from camera obscura:
my favourite song at the moment is called 'one in a million' by steve miller. it's really beautiful. his voice is like honey in the sun and it totally melts my heart. the lyrics are quite simple and i guess
corny but it's a great tune and the production is so good it really doesn't matter. i wish i'd written it. in fact i'd love to do a cover version of it. i was recently in stockholm visiting my friend victoria (bergsman) from taken by trees and we were singing it in the flat and talked about recording it. watch this space...
mp3: steve miller band - one in a million
stuart murdoch from belle and sebastian:
every day when i leave the house and walk over the iron bridge and up to the glasshouses, i listen to “what for” by james. i have a habit of dropping back 20 years in my thoughts, and having a parallel soundtrack running in my head so that i may be walking in a street in 2008, but my head is in 1988. i don’t know why that is. this is an up and hopeful song of the period from a band i used to care for deeply.
as we slip into the autumn here, i am prepared to let my new song of obsession become “the game” by echo and the bunnymen.
“everybody’s got their own good reason why their favourite season is their favourite season”.
mp3: james - what for mp3: echo and the bunnymen - the game
alison eales from butcher boy:
I'm waking up to Labi Siffre, and wondering how I managed to stay asleep for so long. His songs are diverse, unpretentious, and performed with tangible joy. I'm literally waking up to him as well - I have 'It Must Be Love' set as my alarm, and it is proving to be a very nutritious musical breakfast.
mp3: labi siffre - it must be love
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who we are
dan
i love music, but i can't play it for the life of me, so i might as well try writing instead. hope you like it. i'm from singapore, where there really is good music if you look hard enough. i'd love to hear from you (yes, you): theskinnyfists@yahoo.com.sg
brian
I'm a four stringing minstrel of doom, and hired gun for the odd band or two. Few things excite me more than music, and whiskey soaked vocals are a definite plus, so please be sure to send some my way. When I'm not contributing to I'm Waking Up To and MAP, you should follow my misadventures at http://litford.wordpress.com And yes! I'd love to hear from you too: litford@gmail.com
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