Sometimes when you first open your eyes, you already hear the song playing. As you lie in bed, listening intently, you play out the events that will unfold today. You’re editing the montage of events that will define your life, at least for today. By the time the first musical interlude passes in “Africa”, you would have finally gotten out of bed, and lived out the moments you imagined. The way you stare at yourself in the mirror as you brush your teeth, it’s slightly different from regular days. The cereal you eat seems to provide nourishment rather than the bland reminder that you attempted a healthier lifestyle. In fact, by the time this song fades out, you would have just left your home, and shut your door.. bristled excitement for what’s in store. Or did you not get out of bed yet?- brian

mp3: jadiid – africa

Hailing from Chicago, Jadiid are independent, releasing their album “It’s OK To Be Anxious” on Amazon and iTunes. Visit their site.

according to jerry harrison of the talking heads, a principle that shaped the production of the band’s early albums was that each one should be recorded in a different place, in a different way. this quest for each record to embody an “individual quality of sound” translated to a keen awareness of the personality of space, though always held in ambivalent relation with the cityscape that was both impersonal and sometimes unpredictable. a case in point is their 1979 effort, fear of music, recorded in chris frantz and tina weymouth’s rehearsal loft in long island city. while the band grew to love how things sounded there during rehearsals, it was a location that limited them to recording on sundays when truck noise was kept to a minimum.

it’s no wonder then that a track like “cities” would find its way into fear of music, especially considering the strains of paranoia that drive that album. although the song’s topic of finding that perfect city to live was probably inspired by the group’s own love for the city living, it proves to be a futile quest that only results in a more frantic disorientation. it’s something that’s captured best in the alternate version of the song, which replaces the misleading smooth intro of the album version with a jarring siren among a jumble of many other nervous sounds. and when david byrne says he’s figured out the good and bad points of each city, the balance he’s attempting to strike seems to be an illusive one: his exasperation shows as he intermittently admits “sometimes i’m a little freaked out” and increasing sounds like he really is.

disturbingly, in all its imperfections, the very idea of living in the city even with all its horrors is never challenged, just as the disciplined structure of the song mechanically keeps all these sentiments from straying too far. byrne, for one, never abandons his quest to find himself a city to live in, and never considers any alternatives. for me, as someone who’s lived in a city all his life and who’s never lived anywhere else, i can say i pretty much identify with all of that. - dan.

mp3: talking heads – cities (alternate version)

i listened with some curiosity and much interest the strut retrospective of ZE records, one of the most influential underground new york labels of the 70s and 80s. formed by michel esteban and michael zilkha, who were introduced to each other by john cale, the label was known for bringing together new wave, post-punk, disco and punk in a movement they termed “no wave”. one of the gems in this compilation is alan vega’s first hit single “jukebox baby”, a minimalist rockabilly number that oozes the understated new york cool. his rambling vocal style, reminiscent of both elvis and lou reed, would go on to characterize the music of suicide, the band he formed with martin rev. that, of course, deserves a story of its own. - dan.

mp3: alan vega – jukebox babe

ZE 30 – ZE records story 1979-2009 is out now on strut records.

memories came flooding in when i finally got about to digitizing my old beck cds. i remember listening to brian’s copy of odelay over and over again (i think i hogged it for quite a while before i got my own), and trying to perfect my “sissyneck” whistle. i remember disliking sea change immensely, denouncing it as bland and boring, a view i held until someone told me to give it another shot. it’s one of my favorites now, and exists as a reminder for me to never dismiss anything. in terms of expectation, however, i remember most eagerly awaiting the release of midnight vultures in 1999, for the chance to finally listen to the studio version of “debra”, a song he had been playing regularly at his shows for some years already. up to today, i still love this song to bits, from the soppy horns to the pathetically whining bassline and of course beck’s prince falsetto. it definitely doesn’t compare to the improvised genius of the live versions, but it does still force us to take seriously the limits of absurdity that beck often pushes in his music. classic! - dan.

mp3: beck – debra

over the 12 months of being part of MAP, we’ve brought you the best of singapore music, from the established veterans (concave scream, force vomit, astreal) to the current flag bearers (i am david sparkle, the fire fight), spanning across genre from electronica (MUON), folk and acoustic (jon chan, inch chua), indiepop (leeson), post-hardcore (a vacant affair), and some good ol’ rock (nuance), faithfully curated by our local music ambassador brian koh. this month, he introduces us to a cool collaborative effort from within the local scene itself – the lard brothers‘ remix of lunarin’s “ariel”. and if you can’t get enough of singapore music, do visit our pals unpopular radio! enjoy and keep listening.

ARGENTINA: Zonaindie
Entre RÌos – Frontera
Finally we get the chance to showcase this great indie-pop band from Buenos Aires on MAP. Entre RÌos is a musical project led by Sebastian Carreras (vocals, keyboards, guitar) that has been around since 1998. Their first albums were recorded with Isol as the main singer, but since her departure in 2005 they’ve featured different guest vocalists live and in the studio. Frontera is a MAP-exclusive premiere from their brand new EP that will be released in a couple of weeks, with Josefina Mac Loughlin on vocals.

AUSTRALIA: Who The Bloody Hell Are They?
Boy & Bear – Mexican Mavis
Sydney singer-songwriter Dave Hosking has taken a slight change of direction with his new outfit Boy & Bear. Releasing his first EP Marmalade Hill late last year, Hosking has decided to abandon the songs from the album (which I was still rather fond of) and start fresh, writing towards a more mature and original sound. Producer of the first EP, Andrew Macken, has proven to be a great collaborator with his intricate and almost narrative-based approach to the arrangement and production.

BRAZIL: Meio Desligado
The Name – Come Out Tonite
If I had to bet which Brazilian band could repeat the success of CSS on foreign lands it would be The Name. Assonance, their new well-produced EP, presents songs that could put them side by side with some of the greatest names of the post-punk revival of the 00s or the major bands of nu-rave scene. Come Out Tonite is here to prove it.

CANADA: I(Heart)Music
Magneta Lane – Love And Greed
Magneta Lane were on the verge of world (well, Canadian) domination a few years ago, and then they suddenly vanished. They’re back now with a new album, Gambling With God, but you wouldn’t know it from the total lack of support the album is getting from both the band and their label. Nonetheless, it’s a pretty outstanding release, and as songs like Love And Greed show, Magneta Lane could still conquer the world… assuming, that is, they want to.

CHILE: Super 45
Astro – Raifilter
Alongside electro-poppers Moustache, Astro (AndrÈs Nusser and Octavio Cavieres) is one of those noble bands cultivating the sound of acts such as MGMT or The Knife – just on the verge of the night spectrum of pop – acquiring a good combination of simplicity and a good dose of highly contagious fun for their debut album Le Disc Du Astrou. Following this trail, Raifilter is a song with a very special melody, the result of very intense arrangements as well excellent vocals courtesy of Nusser, who shapes a beach-like tune to give us a perfect excuse to have a neverending sound party.

CHINA: Wooozy
Loudspeaker – I Will Be Back
Established in 1999, Loudspeaker is the hardcore pioneer in Shanghai. This song is from the I Will Be Back EP released in September. You can download the whole EP here. Loudspeaker’s new album will be ready at the beginning of 2010.

COLOMBIA: Colombia Urbana
Hety And Zambo – Proud
Hety And Zambo are a duo with the capacity to get you on your feet and dance. The Kings of Creole, as everyone knows them in the dancehall underground scene, came together six years ago in the island of San Andres with one objective – to create good music with their own rhythms, writings and language.

DENMARK: All Scandinavian
The Kites – Play
I stumbled across these guys on a MySpace cruise recently and was immediately charmed by their quite British-sounding pop-rock. The Kites may not be revolutionizing music, but less has been known to do it. Not least when it’s this infectious. Get Play exclusively via MAP and then head to their MySpace page and check out the equally excellent Balloons.

ENGLAND: The Daily Growl
Jeremy Warmsley – Dancing With The Enemy
Rather than something new this month, here’s an old favourite from one of my favourite British singer-songwriters, Jeremy Warmsley. It’s from his How We Became album of last year. If you like this, he’s got a free acoustic EP available via his MySpace and he’s also fronting a new band Acres, Acres. Watch out for them.

ESTONIA: Popop
Antonina – Itsuyorimo
When Helene Vetik started to write music, she played on the streets to get some pocket money, started a high school punk-band that didn’t last long and sang at cheesy corporate parties. However, it was when she began to record her old songs into lo-fi electro-pop that she teamed up with Zanduro (keyboard) and Mihkel Masso (guitar) to form Antonina.

FINLAND: Glue
Cleaning Women – Across The Void
From planet Clinus 1 robots CW01, CW03 and CW04 (subbing for CW02 who was lost in action) create industrial avant garde music using a wide array of instruments, some rock lines, a few jazzy beats and a lot of funky grooves. The trio has just released its third album, U, which includes some futuristic tracks that could form the soundtrack of a Philip K Dick novel. One of them is the instrumental Across The Void, a good example of the spooky atmospheric music these hygienic robots make.

FRANCE: ZikNation
Kitsch Device – Is This Home Now?
Kitsch Device is a group straight out of the Parisian scene who take us on a high. They first started playing as a hobby but they now scour concert rooms in Paris and are always a blast to watch for their style and professionalism. Is This Home Now? carries a folk-rock melody which will make you shake your head and tap the floor with your foot to the beat.

GERMANY: Blogpartei
Candelilla – #13
Candelilla is a female four-piece based in Munich. Their impulsive sound fits into no existing scheme – it varies from Dresden Dolls to Sonic Youth, from punky grunge to vanguard indie. Straight drums accompany the piano, a whetted guitar accents murky basslines, all highlighted by the staccato voices. #13 is the first single from their debut reasonreasonreasonreason.

GREECE: Mouxlaloulouda
Giannis Aggelakas – Volta Sto Dasos
Psyhi Vathia is the soundtrack for a movie directed by Pantelis Voulgaris. It takes place in 1949 and tells the story of two brothers who fight in two different camps during the Greek civil war. Giannis Aggelakas, who was singer and songwriter of the legendary rock band Trypes, composes an emotionally compelling score drawing on traditional musical heritage. Sad, evocative instrumental melodies rich with contemporary elements coalesce with ethnic nuance that depict the era and echo the film’s mood. Volta Sto Dasos (“Walk In The Woods”) is a marvelous track that reflects the two elements of the movie – pain and hope – through the lament of violin and the serenity of the guitar.

ICELAND: I Love Icelandic Music
Kimono – Black
Kimono is an experimental rock trio hailing from Reykjavik and Halifax, Canada. They have released three full-length albums, the last one in collaboration with Icelandic producer Curver (of Ghostigital). Black will be on their upcoming fourth album, Easy Music For Difficult People.

INDIA: Indiecision
Pinknoise – Dream Dream
Pinknoise is an experimental rock act from Kolkata that takes nu-jazz sensibilities and combines them with angular, guitar-driven rock. Dream Dream comes from a soon-to-be-released live DVD. It’s the quintessential spacious, open jam that frontlady Jayashree Singh orchestrates with this band. With mid-song tempo changes and lazy atmospherics, it’s a fun five minutes through slacker town.

INDONESIA: Deathrockstar
Santamonica – Bobsessed
Santamonica’s album Curiouser And Curiouser was praised by the media as an eclectic mixture of pop, bossa nova, electronic and classic waltz drawing influences from Astrud Gilberto, Antonio Carlos Jobim and My Bloody Valentine to classic Disney soundtracks.

IRELAND: Nialler9
Band On An Island – Back Disco
The debut release from Kildare’s Band On An Island, The Sound Sweep, revels in the details of hometown life, taking in nights by the campfire, love, drinking, getting into trouble, picking yourself up again and this cute nightclub-themed song featuring the vocals of Claire Prendergast. Combine these myriad of issues with the music – a mix of country, folk, raucous guitar music and heartfelt ballads – and you’ve got the essence of Band On An Island.

ITALY: Polaroid
Annie Hall – Morning News
It would be too easy to describe the sound of the Annie Hall as a Beatles influence revised through a folk sensibility. But this way you would overlook the simple fact that these songs are truly touching in such an immediate way. Annie Hall just released their second album and are now ready to spend the next months touring the country non-stop, as they usually do.

JAPAN: JPOP Lover
Sebastian X – Tour Star People
Sebastian X are an impressive Tokyo-based outfit with indie-pop and punkish leanings. Their brilliant debut album Wonderful World was finally released last week. The band, who don’t use guitars, have catchy melodies driven by the cute pop vocal of Manatsu Nagahara.

MEXICO: Red Bull PanameriKa
Pepepe (feat. Cyane) – Sleep With You
Here is a track from Pepepe’s latest album, Roba OrgÛn de Plantas y Animales, released on the Poni Republic label. Pepepe is one of the monikers of Pesina Siller, a 21-year-old electronic musician and visual artist who was ranked among the top 50 in Radiohead’s Reckoner remix contest. He’s the kid behind various projects that show the multiple faces to his mystic persona, with sounds that go from dubstep to psychedelic folk. This song is full of clicks, cuts, lots of aleatory processing and a beautiful collaboration with Guadalajara’s vocalist Cyane.

NEW ZEALAND: Counting The Beat
Psychic Powers – Wellington
Psychic Powers are an international duo – Nik Brinkman is a New Zealander and Alejandro Cohen is from Los Angeles. The two collaborate on songwriting from opposite sides of the world via the internet. This piece of very 80s sounding synth-pop is about Nik’s home town, New Zealand’s capital city, Wellington – bringing together the local and the global in a way that seems purpose made for the Music Alliance Pact. The song has been released on 7″ vinyl by US label Geographic North.

NORWAY: Eardrums
KrÂkes¯lv – Privat Regn
KrÂkes¯lv is a quartet from Bod¯, a town in the north of Norway. They sing in their dialect and their music can be put somewhere between pop, indie and post-rock. The band have received much acclaim for their lyrics and the reviews of their recently released debut, TrÂdn¯sting, have been very positive.

PERU: SoTB
Los Protones – Swinging Lima
Los Protones are an instrumental band formed in Lima in 2007 who play in a style that combines psychedelia, surf and garage-rock. Their self-titled debut CD was released in February 2009 by the Peruvian label Discos Gordos. It is an album where there are no words, although they’re not necessary – the guitar solos are the universal language and the titles of songs such as El DesvÌo paint pictures that could easily relate to the soundtrack of our experiences.

PORTUGAL: Posso Ouvir Um Disco?
Casino Royal – Casino Royal Deluxe
Led by Pedro Janela, Casino Royal are a quintet from Figueira da Foz, a town known for its sandy beaches and its casino built in the 19th century. Casino Royal create music that takes us back to a certain living by the post-war European jetset. Would you like your cocktail shaken or stirred?

ROMANIA: Babylon Noise
Silent Strike – 27
Silent Strike (Ioan Titu) is a 27-year-old electronic music composer and sound designer from Bacau. He is influenced by Aphex Twin, Future Sound Of London, Orbital and opened for Faithless and Bonobo. 27 is a little gem of electronic sounds arranged in an acoustic manner and it was released for his birthday.

SCOTLAND: The Pop Cop
The Unwinding Hours – Knut
The Unwinding Hours have quietly risen from the ashes of the much-loved Aerogramme and the early evidence suggests they’re going to be every bit as wondrous as their former guise. All the ingredients are there – the gorgeously gentle pacing, the elegant orchestration, Craig B’s yearning vocals. Knut, taken from their self-titled debut album due out early next year on Chemikal Underground, is a MAP exclusive sanctioned by the band and their record label.

SINGAPORE: I’m Waking Up To…
Lunarin – Ariel (File Under Easy Listening remix)
Singapore is a small country, so we’ve formed a rather close-knit bunch of musicians and friends. One such collaboration between friends happens to be The Lard Brothers’ remix of Lunarin’s Ariel. While a relatively new group, The Lard Brothers have been busy making waves spinning as a DJ group and religiously reworking many classic songs by Singaporean bands. Their efforts don’t go unrecognised with this trip-hop laced remix of Ariel by the melodic rock band, Lunarin, perfect for the monsoon season that’s hitting our shores just about now.

SOUTH AFRICA: Musical Mover & Shaker!
Die Heuwels Fantasties – Our Heritage
Die Heuwels Fantasties are an Afrikaans group, incorporating elements of many genres, from hip-hop beats, flat out dance beats, to rap and rock sounds. Die Heuwels Fantasties teamed up with The Soweto Gospel Choir, HHP and JR to produce a song for Heritage Day. The song is called Our Heritage and features Pierre Greeff of Die Heuwels Fantasties singing in English. All in all, it’s a song with the message to celebrate our heritage and our unity as South Africans – artfully combining the many different cultural spheres into a feelgood track.

SOUTH KOREA: Indieful ROK
Playgirl – Happy Mania
Female trio Playgirl emerged in September with a retro pop sound from a time when James Bond was still played by Sean Connery. Inspired by The Pipettes, equipped with identical outfits and cute dance moves, Playgirl is currently the most adorable act to come out of Korea.

SWEDEN: Swedesplease
Madamm – ÷rnen
There’s very little info online about this mostly all-girl group from Gothenburg. I was struck by the band’s wanton energy and the loose nature of their songs. ÷rnen is a demo so who knows what its final shape may be, but I hope they retain the song’s raw energy.

TURKEY: Reset!
Bon Mod – Chocolate Cheesecake
Chemistry is all there is to a band. After meeting about a year ago, the duo started working together instantly as Bon Mod. They take their love of partying and a reckless attitude to make indie, electro and disco-flavored songs. They are possibly the most exciting new band for the season ahead.

UNITED STATES: I Guess I’m Floating
People Eating People – All The Hospitals
People Eating People is the solo work of Nouela Johnston, previously known for her work with Pacific Northwestern act Mon Frere. Her self-titled debut LP is a blending of Fiona Apple’s emotion with Regina Spektor’s penchant for melody. All The Hospitals is a catchy tune – we’ll see if Johnston can separate herself from the crowded female pack.

VENEZUELA: Barquisimeto Musical
Amigos Invisibles – Mentiras
Amigos Invisibles (“Invisible Friends”) has been around the alternative/funk/pop local scene for many years. Their groovy rhythms and funny lyrics, filled with Venezuelan pop culture, made them legends in their country and finally got the attention of music lovers worlwide, touring Latin America, USA and Australia. They signed with David Byrne’s Luaka Pop label in 1996. To celebrate their Latin Grammy Award for Best Alternative Album, I have selected a song from that record, Comercial, called Mentiras.

To download all 34 songs in one file click here

you know once i’m onto swedish pop i really can’t stop, especially when there’re singles aplenty to dust off and share. this time, i have a track from the sweet seranades, something that’s been lying around in my collection for almost a year, but which sounds just as good as when i first heard it. “mona lee” introduces the self-pronounced “woodsmen of indiepop” (just look at the promo shot) with a chopping drum beat that clears the way for an intro that could really go anywhere. while i’m tempted to fit in the opening lines of “lisztomania”, what i get instead is a fervent introduction to our lead character by a narrator already sweating (and singing) like xiu xiu’s jamie stewart, dramatic and always peaking. by the chorus, we’re all swept away by the hurricane she brings with her, holding on so desperately amidst the howling voices, and not knowing why we celebrate with such rapturous joy the fleeting passage of a lady we can’t even get close to. perhaps the xiu xiu comparison is apt after all, but with all the sexual frustration of grown men crying subverted by a perversely delirious pop tune. - dan.

mp3: the sweet seranades – mona lee

“mona lee” is the lead single off balcony cigarettes, out now on leon records.

oh sweden, land of everything that magically goes pop, how i’ve neglected you, after all you’ve done for me, convincing me that loving good ol’ catchy pop music is nothing to be ashamed of, let alone dance along to. if not for you, i’d never have gotten to listen to doctors & dealers, which really is the music of a little girl called sparrow who roams the wilderness of your land. and if not her wonderful album lost friends and newfound habits, i would have never heard the delightfully groovy “on the dancefloor”, a song that sounds almost too bold, and too outspoken for a swedish pop song. i don’t know very much about sparrow except for the fact that she also plays in another stockholm band called southside stalkers, but maybe that just adds to the smoky mystique of this opening track that’s all set for the dancefloor. - dan.

mp3: doctors & dealers – on the dancefloor

lost friends and newfound habits was released earlier this year on bluesong records. get it!

Like a breath of fresh air, I took a lungful when I first stumbled upon Motopony’s “King of Diamonds”. I tend to have a soft spot for card playing metaphors and the Eagle’s classic, Desperado, but this track really holds its own as testament to the indie folk prowess of Daniel Blue.

From the very beginning as the slight shuffle of drums that sound as if they were recorded at seven thirty in the morning of an empty, white painted loft, courtesy of Hip Hop producer, Buddy Ross, Daniel Blue lazily drifts in with his guitar and sings with an almost sense of loss yet peace.. “I’ve been looking for the King of Diamonds, but I guess the Queen will do…”

The memories haze in this song, some of my own, sometimes someone else’s, and in this world of shared memories, you’re not too sure which ones you own anymore, but it doesn’t matter. - brian

Motopony’s self titled debut will be released on November 14 on iTunes and Amazon. More details on their Myspace.

mp3: motopony – king of diamonds

how exactly do you pin down what counts as “fresh”? for music, i guess it usually means a new sound that’s original rather than purely derivative, something that basically sounds different, in a good way of course. listening to the xx, “fresh” takes on another shade of meaning. the first track that introduces me to romy madley croft’s voice is “vcr”, which sounds freshly opened, like something hidden from view finally seeing the light of day. i particularly like how the music gives the space for her duet with oliver to breathe, and it’s refreshing how each instrument, from the delicate xylophones to the vocals, makes itself comfortable in its own corner and leaves plenty of room for the others. and it’s fresh for me as a listener as well. whenever the song gets broken down to the simple line: but you, you just know, you just do, every break is punctuated ever so gracefully, like a moment that hangs mid-air in quiet assurance. - dan.

mp3: the xx – vcr

xx is now out on young turks.

it’s been about half a year since i introduced brooklyn psychfolksters suckers‘ debut self titled ep as one of my favorite new releases of the year, and it’s a good sign that it still features strongly on my regular playlist. so i was really excited when i read from taylor’s blog (pop over for his awesome track review) of their upcoming single “save your love for me”. i spent a good part of the day listening repeatedly to this gorgeous track, which really takes its time to unfold and stretch out in all its glory. the band has clearly matured in this short time in producing a masterpiece such as this, one that manages to sound both delicate and sweeping, and which projects the personal themes of the song – of love and growing old – as an experience that’s concurrently intimate and shared communally. in doing so it goes beyond expressing what means so much to them to universalizing that sentiment by making it something that means so much to us as well. - dan.

mp3: suckers – save your love for me

save your love for me will be self-released on 7″ later this month.

i hate taking things out of context and i risk doing that here with circulatory system’s recently released signal morning, which comprises probably more than a million fragments of tunes, sounds and ideas all condensed coherently into a very enjoyable album on the brink of an overflow. it reminds me of what i like so much of the olivia tremor control: a decade into listening to their music, i still here fresh sounds and notice new things i never did before, and i continue expect to do so in future. whatever it is, i’ve chosen just one little slice from signal morning to share with you. it’s not even the most representative or fullest-developed track, but “overjoyed” struck me as one of those moments where so much is packed into so little, and everything’s pushed through at breakneck speeds just for the thrill of it. and yes, if you thought that wasn’t possible, it’s also very beautiful too. - dan.

mp3: circulatory system – overjoyed

signal mornings is now out on cloud recordings. get it!

i first heard this song when it was performed live on the colbert report, following a hilarious interview with wayne coyne. in that short segment, coyne responded ever so respectfully to colbert’s faux right-wing worries about his music, assuming the role of visionary in speaking of his band’s ability to create hopeful, uplifting music. ironically, he proceeded to play this opener for their latest album embryonic, a song that i realized sounded even darker in its studio version. a far cry from the rousing and celebratory anthems the lips have come to be associated with, “convinced of the hex” is an ominous serving of voodoo garage funk, mixed in a muddled stew of psychedelic frenzy. what’s most surprising, however, isn’t how dark the material is, but how utterly catchy and even danceable it is in spite of its darkness. it’s something only the lips are capable of pulling off, this time with a bit more swagger with a thinly-veiled boast in the mantra-like refrain: that’s the difference between us. -dan.

mp3: the flaming lips – convinced of the hex

pop down to the official flaming lips page to get your copy of embryonic

the music peaks perfectly to a crisp crackle like how every imperfectly produced song would, and the words get muddled up in a deep swamp like any “dark, brooding record” should. what, however, sets toronto’s little girls apart from the whole slew of lo-fi-post-punk-noise-gaze bands psychocandying the airwaves these days is how the songs insist on sounding grand even when nobody expects them to, embodying the elegance of ugliness described so succinctly some twenty years ago by primal scream: splendor in silver dress, velocity possessed. -dan.

mp3: little girls – growing

little girls’ debut concepts is out now on paper bag records.

listening to time to die, the dodos‘ follow up to visiter, has left me rather ambivalent. while the band still does what they do best, driving their songs solidly with a strong percussive focus, they’ve replaced the raw, direct feel of their debut effort for a polished sheen. the former treatment still sits better with me in capturing that arresting live sound, and while some may say the layered approach in time to die brings out a more nuanced side of the band, i feel that the loss of immediacy is often not worth the trade-off. that isn’t to say it never works: in fact it’s given the band the space to explore different song structures that would hardly have fit in visiter. for instance, the longest song in the album, “troll nacht”, also happens to be the most rewarding one with its many twists and turns stretched out elegantly, varying in subtlety and pace. it’s moments like these that i’m tempted to quit rationalizing and admit that sometimes, changes and sacrifices really are worth it. - dan.

mp3: the dodos – troll nacht

time to die is out on frenchkiss records.

well, what do you know? this month marks the 1st year anniversary of MAP, with its original contingent of 12 countries rallied and led by jason from scottish blog the pop cop. we here at i’m waking up to are honored as always to be bringing you the best music from singapore, especially through the recommendations of our local music ambassador brian koh. this month, our treat is the beautiful voice and music of inch chua, whose latest ep the bedroom is available for free download on her website. enjoy!

ARGENTINA: Zonaindie
Lipgloss – Land Of Lords
This band from Buenos Aires released their first EP a couple of months ago and Land Of Lords is our favorite song from it. Lipgloss sound like they’ve been listening to British rock all their life and you sure can feel the influence of bands like The Stone Roses at the end of the song, with the psychedelic guitars and all. If you like it, you can download the entire EP directly from this link.

AUSTRALIA: Who The Bloody Hell Are They?
Cloud Control – Gold Canary
New music from the Blue Mountains! Only it sounds kinda like it originates from somewhere deep in America. Cloud Control always had an earthy, pastoral quality to their music but it sounds all the more temporally appropriate post-Fleet Foxes. Less jangle and more twang. Gold Canary is pulled from their debut album expected early 2010. It has some rootsy backing vocals and yelping, tambourine/handclap percussion, references to family members in the lyrics and thenÖ a synth solo. This song is rad.

BRAZIL: Meio Desligado
Constantina – Sobe Ladeira
There is something special about Constantina that goes beyond their music. The absence of vocals never leaves you with a feeling of emptiness. It’s just the opposite. The instrumental songs are so deep and strong that lyrics would limit them to what we can express with words.

CANADA: I(Heart)Music
The Balconies – Serious Bedtime
It’s almost mind-boggling how good and how talented The Balconies are. They have two incredible lead singers (in brother and sister Jacquie and Steve Neville), both of whom are also astoundingly good songwriters, and they’re backed by one of the steadiest drummers I’ve ever seen. They’ve barely been around for more than a year but they’re generating a whole lot of buzz (their debut has just been released and it’s already charting nationally). Songs like Serious Bedtime make it easy to see why.

CHILE: Super 45
Tonossepia – Happy Habibi Te Vez Mas Feliz
Tonossepia (Diego Vergara) is one of the most advanced musicians in the Chilean electronic scene. Constantly evolving in his way of creating music, this year he released his fourth album, Happy Habibi, an effort full of organic textures, warm harmonies and rhythmical variations. By mixing, almost to perfection, IDM and hip hop, Tonossepia has a lot of robot style and rap style.

CHINA: Wooozy
Silkfloss – Mon Amour
MylËne Chan (Muxitu) and Quan Du formed Silkfloss at the start of this year in Beijing. They are electronica, they are trip-hop, they are everything that brings you softness and fills you with love. MylËne also collaborates with many local electronic producers as a vocalist.

COLOMBIA: Colombia Urbana
Jiggy Drama – Contra La Pared
Direct from San Andres Island, Heartan Lever – better known in the artistic scene as Jiggy D – comes loaded with cool rhymes and party beats. Jiggy mixes Antillean dancehall with old-school hip hop and Contra La Pared proves that when something is good, it doesn’t have to be forced. The combination of typical Colombian sounds (papayera in this case) makes him the perfect choice to represent the nation in MAP. Jiggy is currently working on his new album, Nerdside.

DENMARK: All Scandinavian
Sebastian Lind – Stay
A pop natural and excellent singer, 20-year-old Sebastian Lind excites with an enticing mix of singer-songwriter acoustics and crackling electronica. He has just released his first single Stop These Feet, but here’s Stay – a strong contender when it comes time to select a second.

ENGLAND: The Daily Growl
The Voluntary Butler Scheme – The Eiffel Tower And The BT Tower
This month’s song comes from the English Midlands courtesy of awesome one-man-band Rob Jones aka The Voluntary Butler Scheme. He’s a little scruffy around the edges but he serves up a tasty dish of pure pop. Although probably best experienced live, his debut album At Breakfast, Dinner, Tea (how old-school English is that title?) is full of sprightly tunes, huge hooks and amusing lyrics and is well worth checking out.

ESTONIA: Popop
I’ll Hit Her – Noise In Your Mind
There’s not much info about Estonian electro-poppers I’ll Hit Her and Googling that name will probably get you some quite disturbing results. Listing Aqua, 2 Unlimited and Joy Division as influences on their MySpace page, that’s really as diverse as you can get.

FINLAND: Glue
The Capital Beat – Feel The Reggae
This is not the kind of song you would expect to hear from a Finnish band, but The Capital Beat phenomenally recreate the warm sounds of Jamaica on their first album, A Greater Fire. This eight-piece combo takes Jamaican music to a new latitude and there is only one condition – feel the reggae and do the ska.

FRANCE: ZikNation
Pascal Comelade – Two Maniaco Depressive Beatnicks Squabbling Over A Jane Russell Mozarella’s Stereokini
Pascal Comelade is a really special musician. He mixes common instruments with some toys he found in a flea market. This way of working gives his music a unique tone and makes the listener feel the soul of his work. In some ways, his music reminds us of Yann Tiersen – nice piano, accordion and a lot of percussion. Two Maniaco…, with its happy leading saxophone and ringing xylophone, is a track dedicated to a happy life, which makes it a must-hear before beginning a day at work.

GERMANY: Blogpartei
Rhytm Police – Ghosttrain
Rhytm Police sound like they live in a metropolis as they reduce music to a strong bass line, synth sounds and sometimes quite snatchy vocals. However, they come from the rather rural Augsburg in western Bavaria. The only way to figure this out is by listening to their songs with German lyrics. But the featured song Ghosttrain shows their international attitude.

GREECE: Mouxlaloulouda
Coin – Error 687
Coin draw their influences from the Manchester scene of the 80s and American grunge of the 90s. In their third studio album they shift their best qualities into different, equally dazzling guitar-pop shapes, sounding unclenched, enchanting and energetic. Popstitute is a beautifully balanced album filled with tremendously rich highs, unfailingly tuneful music, jagged guitars, drums and bass, which supply the rhythmic pulse and captivating hooks.

ICELAND: I Love Icelandic Music
FM Belfast – Synthia
FM Belfast was formed in late 2005 by ¡rni R˙nar Hlˆversson (aka ¡rni Pl˙seinn) and LÛa HlÌn Hj·lmt˝sdÛttir. For the Iceland Airwaves festival in 2006, the band expanded into a live act with up to eight (or even more) members. The core of the band is now a quartet with ¡rni Vilhj·lmsson (of Motherfuckers In The House) and ÷rvar fiÛreyjarson Sm·rason (of M˙m). Synthia is taken from their debut album, How To Make Friends, released on the band’s own World Champion Records label last year.

INDIA: Indiecision
Teddy Boy Kill – Tonic
New Delhi’s Teddy Boy Kill represent the new Indian electronica soundscape – instantly international, slick and unrestrained by the need to reflect any inherent Indian-ness. This unsigned act from the country’s capital released their debut album, The Exit Plan, as a free download. Tonic is one of the highlights of the record – an immediately catchy dancefloor anthem that’s as temperate as it is energetic. Get ready to do something stupid.

INDONESIA: Deathrockstar
The Super Insurgent Group Of Intemperance Talent – Money Making
The Super Insurgent Group Of Intemperance Talent are the greatest rock ‘n’ roll band in Indonesia. Their straight-to-the-point songs, killer hooks and good attitude has already seen them play some big venues and sell out concerts, which is very rare in Indonesia.

IRELAND: Nialler9
Trophy Boyfriend – Black Ship
Despite the silly moniker, Gregor Ruigrok aka Trophy Boyfriend still managed to impress us with his first self-titled EP. He’s still at the embyronic stages having not played live or formally released anything in Ireland yet, but judging by the electro-indie of Black Ship, we certainly hope he gets out there soon.

ITALY: Polaroid
Damien* – Confidants
Play this song and fly back in time, to around the first half of the 90s, when Britpop was full of hope and strength. Well, this is just how Damien* are today. This young and promising band from Pesaro, on the Italian east coast, is able to mix a post-punk background with a more pop attitude. The incredibly catchy Confidants is taken from their second album, out this week on Suiteside.

JAPAN: JPOP Lover
Henrytennis – Valencia Raincoats
Another progressive band in the Tokyo music scene, Henrytennis feature instrumental dynamism influenced by post-rock, IDM, jam and progressive rock. Their members come from such outstanding Japanese bands as 4 Bonjour’s Parties, Hula Hooper, Kuruucrew, Oceanlane and Shugo Tokumaru. Their excellent second album R.U.R. is released on November 11.

MEXICO: Red Bull PanameriKa
Radaid – Shine
Shine is the opening track of L’Intent, the most recent record by Radaid. Hailing from Guadalajara, Jalisco, the eight talented musicians produce a peculiar mix of pop and original rhythms. That is why traces of Indian influences echo in Shine, while the vocals are by SofÌa Orozco, who not only wrote the English lyrics but also invented the dialect which has nods to the phrasing of Hindu MCs.

NEW ZEALAND: Counting The Beat
O’Lovely – A Different Day
O’Lovely are from Christchurch in New Zealand’s South Island and they have a glistening, ringing guitar sound on this song that reminds me of some great bands from that city’s past such as Bailterspace and Loves Ugly Children. The band has morphed from the more poppy The O’Lovelys with singer and keyboardist Laura Lee remaining at the centre of the band. She’s joined by Perry Mahoney of Bang Bang Eche, whose guitar gives a darker, noisier feel than the earlier band. A Different Day comes from the five-track Lost Luck EP.

NORWAY: Eardrums
Firefly Effect – Never By Your Side
Oslo quartet Firefly Effect recently released their brilliant debut album, Everything Is Beautiful And You Are The Reason, on Perfect Pop Records/Soler¯d Records. It is full of charming indie-pop songs with organs, boy/girl harmonies and jangly guitars. They call their style “retro-futuristic sunshine pop” which is a definition of their sound I can agree on. Perfect pop!

PERU: SoTB
Emergency Blanket – Next Passenger
The music of Emergency Blanket is fully charged with life and energy, taking influences from rock classics from the 60s, 70s and 90s to achieve a vintage yet fresh and original sound. Emergency Blanket recently released their debut album, Combi + Nation, which includes songs in Spanish, English and even a combination of both languages. Next Passenger has taken them to the final of The People’s Music Awards and you can vote for the band here.

PORTUGAL: Posso Ouvir Um Disco?
Real Combo Lisbonense – Oh!
Real Combo Lisbonense (Lisbon Real Combo) play music that takes us back to a time when everyone would dress up to dance to the sounds of an orchestra or a small ensemble. RCL is the band you would expect to hear in the casino lounge of an Ian Fleming novel. They remade some Portuguese and international popular classics of 50s and 60s and have become one of the pleasant surprises in the Portuguese indie scene this year. Shall we dance?

ROMANIA: Babylon Noise
Vive La Noiz – Bird Song
Vive la Noiz could be seen as the usual alternative/indie band. Two girls and two boys starting a band in the finest DIY ethic. However, their eclectic influences and pure, melodic sound label them as post-everything because you can find anything there, genre-free. Dark Clouds And Silver Linings is regarded as one of this year’s most interesting EPs.

SCOTLAND: The Pop Cop
Meursault – A Small Stretch Of Land
Edinburgh six-piece Meursault’s otherworldly, experimental folk seems almost tailor-made for the music blogging cognoscenti. But as A Small Stretch Of Land shows, Meursault (pronounced “mer-so”) also know when less is more, stripping the song to just acoustic guitar and vocal with crushingly beautiful effect. It’s no surprise Frightened Rabbit frontman Scott Hutchison described A Small Stretch Of Land as “one of my favourite songs of last year, or indeed any year”. You can buy Meursault’s album, Pissing On Bonfires/Kissing With Tongues, and other releases here.

SINGAPORE: I’m Waking Up To…
Inch Chua – Devotion In Reality
Like the wet leaves after a thunderstorm, Devotions In Reality bring a melancholic hope to past hurts, as the first step after grief into a new light. Inch Chua is more well known in Singapore as the little dynamo of a frontwoman with rock stalwarts Allura. Taking time off to record her solo EP, she brings to the forefront another facet of her versatility, especially on this number that is best described as a cross between Lisa Ekdahl and Stars.

SOUTH AFRICA: Musical Mover & Shaker!
Ameen Harron – Techicoloured Oblivion
Ameen Harron is a force to be reckoned with in the South African music scene. He is a self-taught multi-instrumentalist, and one of the country’s up-and-coming producers, who has worked with a range of the best local musicians, garnering national and international attention. Technicoloured Oblivion shows not only his skills as a producer but as an artist. He has strong ties to hip hop, which is evident as his combination of hip hop, punk and electro creates his own distinctive sound. The song has an almost soulful feel to it and wouldn’t be out of place on the international charts. Ameen Harron is set to take over. Watch out.

SOUTH KOREA: Indieful ROK
Julia Hart – Korean Girl’s Winter
Always delightful guitar-pop act Julia Hart decided it had been too many years since the release of their last album in 2007 and consequently released a digital single with a couple of new songs for people to hear last month. One of them, Korean Girl’s Winter, shows Julia Hart at their loveliest and is a perfect indie-pop piece well suited for repeated play hours on end.

SWEDEN: Swedesplease
Leaving Mornington Crescent – Seventeen
From the sound of Seventeen, Leaving Mornington Crescent have ventured into new territory. Unlike the sunny 60s-inspired indie-pop of April Song from their Cloudberry split CD, Seventeen is a rather heavy, shoegaze number with buzzing and churning guitars and a solid backbeat. Still the vocals retain the cheeriness of April Song with a chorus of “I’m seventeen on the inside, the only difference is…”.

TURKEY: Reset!
Kim Ki O – Serbest Kalp Dusmesi
Kim Ki O’s songs are self-written, self-played and self-sung in the name of self-pleasure and self-impulsion. Kim Ki O, which is the Turkish expression for “who is that anyway?”, is a name chosen for its phonetic beauty. The duo like to play with synthesizers and drum machines but do not to use computers in their music, preferring to create all the action live with enthusiasm and tension. The two members of the gang are former high school buddies who had been out of touch for years. Now they are back, clasped together, making great things.

UNITED STATES: I Guess I’m Floating
That Ghost – The Red Bow
That Ghost is the musical moniker of one crazy kid from the coast of California. Ryan Schmale, a youthful 19-year-old, creates lo-fi pop that evokes the warmth of bedroom recordings. He has a new EP on the way titled Get It And Get Out that IGIF will certainly be writing more about in the near future.

VENEZUELA: Deaf Indie Elephants
Ulises Hadjis – Lunes
The warm voice of Ulises Hadjis and his guitar are suddenly interrupted by a theremin, a trumpet from a gypsy story and a dialogue between Star Trek’s Captain Kirk and Zulu. These are some of the big surprises you’ll find in his debut album, Presente, which without doubt was one of the best debuts of 2008. His original indie-pop contains lyrics as melancholic as Bon Iver’s or Elliott Smith’s and a musical diversity that in its best moments resembles Beirut or Neutral Milk Hotel. On a Sunday morning this album will be your best company.

To download all 34 songs in one file click here